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Can-Do 'Guys and Dolls'

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Enabling the disabled onstage
Opening night is still six months away, but Michael Brennan is focused on the lyrics to “Fugue for Tinhorns” as if the curtain will rise in a few hours. Flanked by two other young men in a classroom in Old Bethpage, he clutches a Daily Racing Form, a prop he’ll use in the opening number of “Guys and Dolls,” and begins to sing. “But look at Epitaph . . . he wins it by a half!”
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