Can-Do 'Guys and Dolls'
Enabling the disabled onstageOpening night is still six months away, but Michael Brennan is focused on the lyrics to “Fugue for Tinhorns” as if the curtain will rise in a few hours. Flanked by two other young men in a classroom in Old Bethpage, he clutches a Daily Racing Form, a prop he’ll use in the opening number of “Guys and Dolls,” and begins to sing. “But look at Epitaph . . . he wins it by a half!”
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